東京之行


錯過了七月的北海道浪漫花田,卻趕上了秋季的東京,一股和風悅色的設計味撲面而來,芳香四溢。獨特的地理位置以及對外來文化的解構與吸收,讓東京乃至整個日本的設計,無不散發著新意、美感卻不失傳統。


原研哉曾說過,“最美的設計是虛無的”,而虛無之美又傳達出設計的多元化,“大”設計的延伸與跨界讓此種美麗無處不在。


虛無之美能展示產品的更新換代,東京 “ JAPAN GOOD DESIGN 2014”,以消費者感受為依托來創新和突破產品固有元素。


虛無之美能體現文化底蘊,以日式和風及東方禪意為基礎的建筑師隈研吾,塑造溫馨之美的“負建筑”;虛無之美能彰顯與生活的銜接,設計大師新村則人深入淺出的將“生活中的設計”理念完美演繹;虛無之美能透露設計師的風格,深深感悟中島英樹的簡約、大器。


虛無之美無形的貫穿于所有的設計之中,沒有局限,沒有約束,不限形式,但從不缺乏高度!


在東京,和設計界的前輩零距離的接觸,他們對設計精益求精的態度,讓人受益匪淺。新村則人在觀看了領秀設計作品之后,十分驚訝并表示:“作品很多也很不錯,但可以更精簡,更加國際化!”;這是一位設計長者對設計作品的理解,更是一種美的引導!在這里,美術館林立,商業街琳瑯滿目,你可以從各個層次去感受東京的設計風潮。


子曰:‘見賢思齊焉’。東京七日,前沿的、跨界的、多元的設計文化紛至沓來,“大”設計氛圍已然成熟。領秀設計經過15年的歷練與沉淀,堅持與升華,每個領秀人都要走出去,去感知這虛無之美,感受“大”設計所帶來的美的沖擊,我們與設計一起改變,小事大做,大事小做。






Missed July's Hokkaido romantic flower field, but caught up with autumn's Tokyo, a design flavor of pleasant color and wind came, fragrance overflowing. The unique geographical location and the deconstruction and absorption of foreign culture make the design of Tokyo and even the whole Japan radiate new ideas, aesthetic feeling and tradition.

As yuanyanzai once said, "the most beautiful design is nihilistic", and the beauty of nihilism also conveys the diversity of design. The extension and crossover of "big" design make this kind of beauty everywhere.
The beauty of nothingness shows the renewal of products. Tokyo "Japan good design 2014" innovates and breaks through the inherent elements of products based on consumer experience.
The beauty of nothingness can reflect the cultural background, and Kuma, an architect based on Japanese harmony and Oriental Zen, can create a "negative architecture" with warm beauty; the beauty of nothingness can show the connection with life, and the new village, a master of design, can show the concept of "design in life" in a simple way; the beauty of nothingness can reveal the style of the designer, and deeply understand the simplicity and greatness of Nakajima Yingshu Apparatus.
The beauty of nothingness runs through all the designs invisibly. There is no limit, no restriction, no form, but there is no lack of height!
In Tokyo, with the zero distance contact with the predecessors of the design industry, their attitude to design excellence has benefited a lot. After watching the leading design works, Xincun people were surprised and said: "many works are also very good, but they can be more streamlined and more international!" This is a senior designer's understanding of design works, and also a kind of guidance of beauty! Here, there are many art galleries and commercial streets. You can feel the design trend of Tokyo from all levels.

Confucius said, "when you see the wise, think of the wise.". On the 7th of Tokyo, cutting-edge, cross-border and diversified design culture poured in, and the "big" design atmosphere has matured. After 15 years of experience and precipitation, persistence and sublimation, every leader has to go out to perceive the beauty of nothingness and feel the impact of beauty brought by "big" design. We change with design, doing small things, big things and small things.






東京之行


錯過了七月的北海道浪漫花田,卻趕上了秋季的東京,一股和風悅色的設計味撲面而來,芳香四溢。獨特的地理位置以及對外來文化的解構與吸收,讓東京乃至整個日本的設計,無不散發著新意、美感卻不失傳統。


原研哉曾說過,“最美的設計是虛無的”,而虛無之美又傳達出設計的多元化,“大”設計的延伸與跨界讓此種美麗無處不在。


虛無之美能展示產品的更新換代,東京 “ JAPAN GOOD DESIGN 2014”,以消費者感受為依托來創新和突破產品固有元素。


虛無之美能體現文化底蘊,以日式和風及東方禪意為基礎的建筑師隈研吾,塑造溫馨之美的“負建筑”;虛無之美能彰顯與生活的銜接,設計大師新村則人深入淺出的將“生活中的設計”理念完美演繹;虛無之美能透露設計師的風格,深深感悟中島英樹的簡約、大器。


虛無之美無形的貫穿于所有的設計之中,沒有局限,沒有約束,不限形式,但從不缺乏高度!


在東京,和設計界的前輩零距離的接觸,他們對設計精益求精的態度,讓人受益匪淺。新村則人在觀看了領秀設計作品之后,十分驚訝并表示:“作品很多也很不錯,但可以更精簡,更加國際化!”;這是一位設計長者對設計作品的理解,更是一種美的引導!在這里,美術館林立,商業街琳瑯滿目,你可以從各個層次去感受東京的設計風潮。


子曰:‘見賢思齊焉’。東京七日,前沿的、跨界的、多元的設計文化紛至沓來,“大”設計氛圍已然成熟。領秀設計經過15年的歷練與沉淀,堅持與升華,每個領秀人都要走出去,去感知這虛無之美,感受“大”設計所帶來的美的沖擊,我們與設計一起改變,小事大做,大事小做。






Missed July's Hokkaido romantic flower field, but caught up with autumn's Tokyo, a design flavor of pleasant color and wind came, fragrance overflowing. The unique geographical location and the deconstruction and absorption of foreign culture make the design of Tokyo and even the whole Japan radiate new ideas, aesthetic feeling and tradition.

As yuanyanzai once said, "the most beautiful design is nihilistic", and the beauty of nihilism also conveys the diversity of design. The extension and crossover of "big" design make this kind of beauty everywhere.
The beauty of nothingness shows the renewal of products. Tokyo "Japan good design 2014" innovates and breaks through the inherent elements of products based on consumer experience.
The beauty of nothingness can reflect the cultural background, and Kuma, an architect based on Japanese harmony and Oriental Zen, can create a "negative architecture" with warm beauty; the beauty of nothingness can show the connection with life, and the new village, a master of design, can show the concept of "design in life" in a simple way; the beauty of nothingness can reveal the style of the designer, and deeply understand the simplicity and greatness of Nakajima Yingshu Apparatus.
The beauty of nothingness runs through all the designs invisibly. There is no limit, no restriction, no form, but there is no lack of height!
In Tokyo, with the zero distance contact with the predecessors of the design industry, their attitude to design excellence has benefited a lot. After watching the leading design works, Xincun people were surprised and said: "many works are also very good, but they can be more streamlined and more international!" This is a senior designer's understanding of design works, and also a kind of guidance of beauty! Here, there are many art galleries and commercial streets. You can feel the design trend of Tokyo from all levels.

Confucius said, "when you see the wise, think of the wise.". On the 7th of Tokyo, cutting-edge, cross-border and diversified design culture poured in, and the "big" design atmosphere has matured. After 15 years of experience and precipitation, persistence and sublimation, every leader has to go out to perceive the beauty of nothingness and feel the impact of beauty brought by "big" design. We change with design, doing small things, big things and small things.






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